Rebecca Arnold, Photo Contest Blog: VMFA!

Today I submitted my application for the VMFA Fellowship Award. Here are all the things that went into it:

here's a picture of my form, transcript and postcard:

here's a screenshot of my resume:

and here's what my form essay said:

"Growing up in a household with my father, a self-employed artist, I learned at a young age that it is possible to have a job doing something you really love if you work hard at it. He has always supported my choices to study art and has made sure that I understand the importance and value of hard work – especially in the arts. As I finish my last year of art school, I will have had some great photography experience with all of my classes, my internship with Richmond Magazine and even a great trip to Brazil. I know that finding a job in the Spring may be a struggle, especially as the unemployment rate is at a peak. When I do find a full time job opportunity, I know I will be putting a lot of this money to the new life I begin after college. I have worked hard in the past four years to create a portfolio and a vision. If I were to receive the VMFA Fellowship award, I would use it for new equipment, or lenses that I’ll be expected to have as I start out in the real world of Photography jobs. Thank you for the consideration."

Rebecca Arnold, Artist Lecture: Shimon Attie

Shimon Attie was our Artist Lecturer for Nov. 11th. Before I explain a little bit about this artist, I would like to point out that he wasn't my favorite - as he came off somewhat pompous. But I don't mean my comments to sound at all scathing, so sorry if they come off that way.

Attie, who is an artist from California, first showed the images he created fresh out of art school. "The Writing on the Wall" was a low-tech series based on Jewish life in Berlin, Germany. First of all, these photographs were gorgeous. This architectural photography project was interesting, as he projected images from the 1930's of Jewish residents in Berlin onto the same walls of the location where they were first taken. Wow confusing to explain. The strange compression of time leads the viewer to understand the memory and cultural identity pre and post WWII. This kind of stuff has always caught my interest (I'm kind of in love with the romanticism of WWII...is that weird?) so the way he utilized photo archives to find images of Jewish life was very cool to me. The imagery he used for this series made his images look like illustrations almost.

Another notable series Shimon Attie discussed with us was his Underwater Installation called "Portraits of Exile". These 9 portraits were of Danish Jews who were rescued in 1943 by the Swedish. These portraits were installed in (huge) light boxes. In the water, used as a medium to exhibit the ideas of transportation and memory, these portraits would shift according to the water's movement. I found this installation pretty innovative and interesting - probably just as interesting as he thinks it is. Hm..

The last work of Attie's that I enjoyed was his "Attraction of Onlookers" piece. I think what really made this work a success was its accessibility - how easy it was to relate. "The Attraction of Onlookers," shown in Whales, was based on the Village of Aberfan (which I had to look up afterwards) and deals with the coping of traumatic experiences. Attie explained that when we, as a general public, are affected by devastation our automatic response is to freeze up. This piece also explores the relationship between identity, memory and place.

Well, I was wrong - I didn't sound scathing at all. I guess I did like his work - it's just easier not to talk about him as a person and look at his artwork separately.

Rebecca Arnold, Research Blog: Etc

Well here we are, another Thursday blog!

I've been brainstorming for my shoot this weekend. I've kind of let myself meditate on other means of Escapism that might be interesting to capture.

My kitchen window is large (taller than I am) and covered on the outside with ivy and other plants. There's a shutter propped open on the inside with a large fake sunflower in a vase on the sill. This window is truly romantic and whimsical and I'd love to use it in one of my photos. I've taken my camera and found an interesting composition in there, but I will have to test what I want to do with it before I get too excited.

I've also been thinking about Escapism in Alice in Wonderland. Falling into a hole into a new world is what I've been waiting for my whole life, so I want to re-watch the Disney version (the new one needs to come out!). I would love to utilize that idea.

Books, too. Books are important to me. Stories, fables, fiction, nonfiction - it's all great. I attempted a shot with some books in it a few shoots ago but it just wasn't very strong. I have a few loose ideas of what I'm going to try next but if it doesn't work either, I'll just move to something else. I have no time for failure!

That's about it for now. More on Sunday. :)

Rebecca Arnold, Artist Blog: Jaap Buitendijk

Jaap Buitendijk, a very successful Film Still photographer, was born in 1970 in Holland. He traveled abroad, learning the basics of photography while he did, and eventually moved to Britain in 1990. After studying documentary photography, he explored the "apparent contradiction of using documentary skills to record an artificial reality; that of films." (Jappphoto.com)

film still from Children of Men

Now a days, Buitendijk has established himself as an experienced stills photographer. He is well known for looking beyond the obvious image and for his versatility in shooting film stills. He has worked on major productions, such as Harry Potter and Blood Diamond as well as smaller projects like Girl with a Pearl Earring.

film still from one of the Harry Potter movies

While Jaap Buitendijk is a pretty mainstream photographer who shoots major feature films, his work is understandably popular. The stills that he shoots are beautiful and inspiring. I feel as though I should be looking for more film still photographers - it really puts things into perspective and it's my dream job.

film still from Girl with a Pearl Earring

I think one of the greatest aspects of his Jaap Buitendijk's photographs is his use of space. Each composition is very carefully constructed and it really makes his work successful. I hope to achieve this kind of production quality in my upcoming shoots!

http://www.Jappphoto.com

http://www.imdb.com/name/nm0119687/

Rebecca Arnold, Research Blog: Production

As I continue with my attempt at production quality images, I find myself really wanting to pull back from the main subject. This means I must clean my apartment.

It also means that my compositions need to be very nit-picky and pristine. I will not let one detail mess this up for me. I've studied Kubrick and Hitchcock too much these past few months to have something distract the viewer from my subject/concept.

In doing this, these wider pulled back images, I will need to be in full control of my lighting. I am lucky to have my apartment lighted well, but I'll still need some extra help from my flash and/or extra lights. I tend to get frustrated with lighting, and end up doing shots with a longer shutter - hopefully that won't be happening. But I will, of course, be using a tripod if I do need a longer shutter speed.

I'll also be focusing on the costuming. It came up during my crit that the frizzies in my hair were a little distracting if I wanted my appearance to fit my term "glamour". I don't say this critically, it's a comment I needed to hear. I loved curling my hair and getting all prettied up, so really this isn't a problem to perfect. I think I got my hair just right for Halloween, so I'll use those techniques.

That's about it for now. I have a few ideas for my upcoming images, which I'll explain more in the next Research blog. Ideas are brewing, and the imagery I see in my head may be hard to achieve but I'm up for the challenge. Thanks for reading!

Rebecca Arnold, Critique Video 10/29

The video of my critique on October 29th was pretty painful to watch, but I'm sure others feel the same way about watching theirs. Seeing yourself standing in front of peers is scary, even though you know what's going to happen next. I have a pretty terrible time speaking in front of people, but if you asked me to dance, sing or act I'd be happy to. I have to have my information scripted, or I'll start shaking and stumbling over words. I don't know what causes my terrible public speaking fright, but all I know is I need to work on it.

I was definitely conscious of the way I was holding myself, as I usually am. I am critical of posture after doing ballet for 14 years. I do fidget often, sometimes crossing my legs while standing (that sounds weird...) just out of sheer nervousness/I'm very clumsy and I might have been doing this to hold my balance.

Overall I know I need to slow down and let it come naturally. I focus on what's written so much that it starts to sound mechanical, and no ones interested in listening to that.

My critique went pretty well, actually. As much as I need to work on my public speaking, I at least did not: cry, fall over, curse or throw up while trying to explain my work. The feedback was mostly positive so that always helps my confidence - as I can see in my video when I smile and laugh nervously when I receive comments.

As much as I hate watching myself in this video, it also helps quite a lot. I know what I need to work on AND it proved well for review of my next steps - I scribbled lots of notes during the critique but they are scattered and chicken scratch-y since I was shaking. The notes I take rarely make sense after about 10 minutes of writing them. So it was great in that way! This is not to say that I'm going to be filming myself from now on - but it was a pretty good experience. It needed to happen! Thanks, Tom!

Rebecca Arnold, Artist Blog: Sofia Coppola

Sofia Coppola is best known as the daughter of Francis Ford Coppola and as a director, but she is also an actress, producer and screenwriter as well. She is the only American woman, and the third female director to be nominated for an Academy Award for Directing.

Coppola has won some awards, including an Academy Award for best original screenplay for her film Lost in Translation. She's won three Golden Globe Awards, including one for Best Picture. I've seen 3 of her films, which are her most popular - The Virgin Suicides, Lost in Translation, and Marie Antoinette.

film still from Marie Antoinette

I really admire Sofia Coppola. Not only is she a successful woman in the arts, but she has created some really beautiful feature films, using her exposure to the language of cinema to her full advantage. I thought she would be a great artist to choose this week because I'm trying to concentrate on the elements of film and what makes them slick with a flawless production. You can tell from these stills that she has a keen eye for detail and mood setting with the lighting she uses. I need to start experimenting to get to that point.

film still from The Virgin Suicides

Just for more information about Sofia Coppola which I find interesting: her screenplay for her Oscar-winning film Lost in Translation was somewhat autobiographical. I am looking to get this sort of input into my work as well. Something that relates to a wider audience instead of exclusively understood - but still taking instances of my life and experience.

I love this film, and Coppola definitely created a mesmerizing contemplation on the feeling of alienation that I think many people can relate to.

film still from Lost in Translation

Sofia Coppola has found her own direction in her films, and her critics have called her both mainstream and independent, and i think that in itself is an accomplishment. She's accessible in both categories and therefore appreciated as a successful director. I hope to work up to a status like that, however unrealistic is may be. I really enjoy this artist and look forward to her new film coming out soon.

http://en.wikipedia.org/wiki/Sofia_Coppola

http://www.imdb.com/name/nm0001068/

http://www.tribute.ca/people/Sofia+Coppola/5248